so, now that the album is out and we're heading towards the end of the remix eps etc, no doubt all your minds, as mine is, are thinking about what our next album will be. as promised a few days ago in the car on the way home, this is a post to find out what people might think would be a good direction to go for the next major piece of work.
i have literally dozens of half finished songs/pieces of music (for bec's benefit) on my hard drive but, rather than just keep making things as they happen, i thought it might be nice to do something we've never really done which is to plan out a bit of a direction before we start. we may well use lots of things that already exist, but pushing them in a uniform direction would be good, i think.
soooo...what are some ideas people think we might pursue? some key words maybe? artists to look at? could be to do with the sounds, the lyrical themes, anything. should we all pick up new instruments and make a garage rock album? a folk album? an acappella album (raw or processed)? an all electronic instrumental album? something combining some of those?
would love to hear what everyone thinks...
8 comments:
Inspired by our performances of 'Viceroy', I would love to see a Telafonica album explode with people. I would love to make an album where each song involved crowds of people - either singing or playing. Still keep the solo-ish stuff but make the backing vocals and the musicians a huge choir/orchestra. Well, that's my dream anyways!
i like your idea bec. we should have more voices and less noisy guitars and beats. this probably won't surprise, but i would love to hear more vocal arrangements (like what bec was getting at) and acoustic instruments. we should use more of ellie's piano playing and adrian's ukes and etc. 'cover' is the type of song i'd like telafonica to write more.
what if we balanced the album between choral arrangements and solo performances (i.e. cherry sings one; choir sings one; adrian sings one; choir sings one; etc.)?
so i think we should focus on recording and not on performance. i have only really enjoyed our gigs at the gate and at blacktown arts in the last while, and i guess that is partly because we weren't trying to play a set that stayed interesting to a loud and rowdy crowd (which is definitely not our strength!).
it might be interesting to tie the album together lyrically by featuring one line or phrase in every track.
one thing i was discussing with bec a little while ago is the fact that very few artists these days are trying to sound like the future. 15 years ago, that's where most of the cutting edges of music were but, these days, artists at the creative vanguard seem to be keen on emulating the past more and more. not just in terms of musical styles, but even the ideas of lo-fi recording techniques and incorporating tape hiss etc into the sounds of the music. i'm actually keen to have a go at making the sounds of the future again. there are a few places where that is kind of happening at the moment - mostly in the english and european electronic undergrounds etc etc, which i think would be interesting to explore.
none of which precludes any of your suggestions, bec and blake. particularly in terms of singing, i'd also be very interested in using more massed voice ideas. shiny electronic minimalism under 1 or 2 acoustic instruments and lots of voices?
I could agree with that! What if we got other artists (as well as us) to make some noise (electronic and acoustic) that you could chop up into little pieces to lay a minimal foundation for the masses of singing.
And I still think Blake's verbal idea (not featured here) of naming the thing first or using a phrase throughout would be nice.)
Wow, I'm getting excited! I'm curious as to what the combination of these ideas will look like though. That's interesting re what you said about sounding like the future again, Adrian, and to be honest I have no idea what the future looks like! Musically, I mean. I think I lean towards past things I've heard by default instead of creating new sounds, so I'm very keen to work a bit harder at thinking outside the box. Luckily for us, we've always been a little bit different from other bands - which is a good place to start from, I think.
Sorry, these are very vague ramblings. I definitely think the big, fat choral arrangements idea is a great one - and a lovely way to involve people we know (or want to get to know). I think we should also use Blake's accordion and the Elmers' organ in the mix. There's also this idea I'd love to do where all of the titles of our songs, when you string them together and read them one after the other, form a sentence.
Apart from that, I'm a little vague. But keen! Vaguely keen!
(hoping there's room for my comments here)
It was great to be a part of the remixes with the last album, and I think that openness and inclusion is a musical strength that you can definitely hear in your last few albums.
When you consider how that coincides with more singers in the group it makes sense to focus on the voice and vocals even more.
Bec, I've really enjoyed reading your Tolstoy quotes on facebook - each quote seemed epic in itself! Has it inspired any poetry/story/songwriting of your own through your reading of it?
just a couple of immediate thoughts there, keen to contribute more!
Ellie, I like your vague enthusiasm! : ) I believe in you to find the future!
Steve, there is always room for you!
I haven't written anything inspired by Tolstoy as yet but perhaps we could have a book-ish thing going from what we have read.
how about we all write off ideas/characters/stories in literature we love? tolstoy, tolkien, . . .
and maybe the theme should be the letter 't'?
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